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绘画2012
来源:中国艺术批评 时间:2012-11-26
前言
极简主义的拥护者曾经断言:绘画已经死亡。文艺复兴时期的鉴赏家看到提香的绘画后也说:绘画已经死亡。古罗马时代的学者小普林尼(Pliny the Younger)则略显涵蓄,他只说绘画已经堕落了。为何绘画会一再被宣布它的终结?因为它一直在延续。
在今天的艺术世界里,媒介代表立场的时代已经过去了,任何媒介都需要经受同样的考验。但仍然有许多人受着欧美八十年代艺术观的影响,将绘画看作是“过时”的。实际上,这种说法也没有错,因为绘画从来就不是赶时髦的艺术;或者说,本身就没有赶时髦的艺术,只有赶时髦的观念。
在艺术的世界里,一直有好的作品和不那么好的作品;而在绘画的世界里,同样有好的绘画和不那么好的绘画。标准一直存在,却很难说清。历史似乎是可靠的标准,但历史本身就是含混不清的;理论似乎是可靠的标准,那只是对理论本身而言;人的感受似乎是可靠的标准,但要将感受传达给更多人,本身又变成了另一门艺术。在今天看来,价格也许是更可靠的标准,如果艺术变成了金钱游戏的话。
只有一点可以确定,好的作品从来不是为了迎合某种标准而生的,因为好的作品一定是骄傲的。好的艺术家也从来不理会任何标准,他们只会在成为标准之后,让迟来的赞美假装早有准备,然后再变得人尽皆知。所以艺术是一个危险的赌局,输掉的人会失去证明自己审美能力的机会,赢了的人会被迫让自己的私人享受社会主义化。
“绘画2012”,展示了一部分我们在2012年看到的新的绘画作品。这也许是我们能看到的,世界毁灭前的最后几批绘画之一了。其实,绘画的核心也与此有关,它无关未来的许诺,无关存在与得失,它只是用纯粹视觉的形式留存的精神。而受邀的艺术家,也正是在为这一点而努力探索着。另外,本次展览还强调了“年轻”,年轻是一种状态,年轻艺术家仍然对艺术抱有原初的好奇心。
Preface
The advocates of Minimalist have asserted: Paintings have died. After seeing Titian’s paintings, the Renaissance connoisseurs have also said: Paintings have died. The more subtle opinion was put forward by Pliny the Younger, the scholar in ancient Roman, who only said: Paintings were degenerated. Why have people been repeatedly announcing the end of paintings? Because that the paintings are there all the time.
Today’s art world is no longer the period that the media represents the position, whatever the medium is, it subjects to the equal test. However, there are still many people suffering from the impact of the art concept in 1980s, as a result, they believe painting is outdated. In fact, it’s true, for the reason that painting has never been fashionable, or there is no fashionable art, but fashionable concept.
In the art world, there are always good works and not-so-good works. While in painting world, there are always good paintings and not-so-good paintings. There are always standards, which are difficult to explain; history seems to be a reliable standard, but history itself is vague; theory seems to be a reliable standard, but it is just for itself; feelings seem to be a reliable standard, but it becomes another art when convey the feelings to others. In today’s perspective, the price seems to be a reliable standard, only when art changes into the money game.
Only one thing can be determined, that good works have never been born to meet a certain standard, because they must be proud. Good artists have never paid attention to any standard, but allowed the belated praise pretend well prepared, and then become well known. So art is a dangerous gamble, in which losers will lose the opportunity to prove there aesthetic ability, while winners will be forced to socialize their private enjoyments.
Painting 2012 shows a part of the new paintings we saw in 2012. Maybe it is one of the last groups of paintings for us before the end of the world. In fact, the core of painting is related to it. It has nothing to do with the promise of the future, is independent of the existence or the pros and cons, but is just a spirit retained by a purely visual form. The invited artists are also making efforts to explore. In addition, we also emphasize Young in this exhibition. Being young is a state. For art, young artists still have original curiosity
(许晟/文)
展览主办:千高原艺术空间
艺术总监:刘杰
文章撰写:许晟
作品媒介:绘画
开幕时间:2012年11月24日(星期六)下午3点
展览时间:2012年11月24日至12月22日
展览地点:成都市高新区芳沁街87号,千高原艺术空间
咨询电话:+86-028-85126358
电子邮箱:info@1000plateaus.org ,1000plateaus.cn@gmail.com
参展艺术家(按姓氏首字母顺序排列):
陈亮洁、陈献辉、冯瀚平、何千里、吉一玮、李胤、刘传宏、马杰、马文婷、庞璇、秦晴、宋永兴、唐可、田桢真、王俊、魏言、吴江涛、吴霜、肖克刚、谢冰鑫、于艾君、翟倞、朱兵
Organizer: A Thousand Plateaus Art Space
Art Director: Liu Jie
Article Written: Xu Sheng
Media: Painting
Opening: 3:00pm, November 24, 2012 (Saturday)
Exhibition Duration: November 24 – November 22, 2012
Venue: A Thousand Plateaus Art Space, 87# Fangqin Street, Gaoxin District, Chengdu
Tel: +86-028-8512-6358
E-mail: info@1000plateaus.org, 1000plateaus.cn@gmail.com
Artists: Chen Liangjie, Chen Xianhui, Feng Hanping, He Qianli, Ji Yiwei, Li Yin, Liu Chuanhong, Ma Jie,Ma Wenting, Pang Xuan, Qin Qing, Song Yongxing, Tang Ke, Tian Zhenzhen, Wang Jun, Wei Yan, Wu Jiangtao, Wu Shuang, Xiao Kegang, Xie Bingxin, Yu Aijun, Zhai Liang, Zhu Bing |
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