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西方出版的中国书法研究(西文)
王友轩 编
Studies of Chinese Calligraphy Published in Western Languages
Bai, Qianshen. Fu Shan (1607-1684/85) and the transformation of Chinese calligraphy in the seventeenth century. Ann Arbor : UMI, 1997.
Barnhart, Richard M. Mandate of heaven : emperors and artists in China : Chinese painting and calligraphy from the Metropolitan Museum of Art. New York. Zurich : Museum Rietberg, 1996.
Barrass, Gordon S. The art of calligraphy in modern China. Berkeley: University of California Press, 2002.
Bennett, Elizabeth Foard. Chao Chih-ch'ien (1829-1884), a late nineteenth century Chinese artist : his life, calligraphy and painting. Ann Arbor, Mich.: University Microfilms International, 1985.
Chang, Joseph. In pursuit of heavenly harmony : paintings and calligraphy by BadaShanren from the estate of Wang Fangyu and Sum Wai. Washington, DC: Freer Gallery of Art : Smithsonian Institution in association withWeatherhill, Inc., 2003.
Chang, Léon Long-Yien. Four thousand years of Chinese calligraphy. Chicago: University of Chicago Press, 1990.
Chen, Chi-lu.Paintings and calligraphic works in Taiwan during the Ming-Ch'ing period. Taipei : Council for Cultural Planning and development, Taiwan,1985.
Chiang, Yee (蒋彝，1903-1977). Chinese calligraphy : an introduction to its aesthetic and technique. Cambridge, Mass : Harvard University Press, 1973.
Chinese calligraphy. Ed. Yujiro Nakata. Trans. Jeffrey Hunter. New York, Weatherhill, 1983.
Chu, Hui-liang. The Chung Yu (A.D.151-230) tradition: a pivotal development in Sung calligraphy. A Dissertation Presented to the Faculty of Princeton University, 1990.
Edwards,Richard. The art of Wen Cheng-ming (1470-1559) . Ann Arbor : University of Michigan, 1976.
Ellsworth, Robert Hatfield (1929-). Later Chinese painting and calligraphy.1800-1950. New York: Random House, 1987, c1986-1987.
Eqan, Ronold. "Ou-yang Hsiu and SuShih on Calligraphy," Harvard Journal of Asiatic Studies, vol.49, no.2 (Dec,1989), pp.375-385.
Farrer, Anne Selina. "The brush dances & the ink sings": Chinese paintings and calligraphy from the British Museum : 6 September - 4 November 1990 : Haywood Gallery, London. London : The South Bank Centre, 1990.
Feng,You-heng. Fishing society at Hsi-sai Mountain by Li Chieh (1124- before 1197): a study of scholar - official's art in the Southern Sung period. (Ph. D. dissertation). Princeton University, 1996.
Fong, Wen C. Beyond representation: Chinese painting and calligraphy (8th-14th century). New York : Metropolitan Museum of Art; New Haven : Yale University Press, 1992.
Frankel, Hans H.; Zhang, Chonghe. Shu Pu and Xu Shu Pu Two Chinese treatises on calligraphy. New Haven : Yale University Press, 1995.
Fu, Shen (傅申). From concept to context : approaches to Asian and Islamic calligraphy. Washington, D.C.: Freer Gallery of Art, 1986.
Fu, Shen C.Y. Huang T'ing-chien's Calligraphy and His "Scroll for Chang Ta-tung. (Ph. D. dissertation). Princeton University,1976.
Fu, Shen. Traces of the brush: studies in Chinese calligraphy. New Haven, Conn. : Yale University Press, 1977.
Gao, Jianping.The expressive act in Chinese art : from calligraphy to painting. Uppsala : AcademiaUpsaliensis, 1996.
Goldberg, Steve J. Court calligraphy in the early T'ang Dynasty. Ann Arbor, Mich.:University Microfilms International, 1982.
Guo, Jisheng (1950-); Sturman, Peter Charles. Double beauty: Qing dynasty couplets fromthe Lechangzai Xuan collection. Hong Kong : Art Museum, The Chinese Universityof Hong Kong, 2003.
Harrist, Robert E. and Fung, Wen C. The embodied image. New York: The Art Museum, Princeton University, 1999.
Ho,Chuan-hsing. "The revival of calligraphy in the early Northern Sung."The art of the Sung and Yuan. Eds. Maxwell K. Hearn and Judith G. Smith.New York: Department of Asian Art, The Metropolitan Museum of Art, 1996. Pp. 59-86.
Ho, Wai-kam; Smith, Judith G. (1941-). The century of Tung Ch'i-ch'ang, 1555-1636. Seattle; London :Nelson-Atkins Museum of Art in association with the University of Washington Press, 1992.
Huang, Boyle. Chinese art: the pastime of literati. New York : Vantage Press, 1991.
Images of the mind: selections from the Edward L. Elliott family and John B. Elliott collections of Chinese calligraphy and paintings at the Art Museum, Princeton University. Ed. Wen C. Fang, Princeton: Princeton University, 1984.
Komatsu, Shigemi (1925-); Wong, Kwan S.; Cranston, Fumiko E.; Armbruster, Gisela; Gotze,Heinz. Chinese and Japanese calligraphy : spanning two thousand years : theHeinz Gotze collection. Heidelberg. Munich: Prestel, 1989.
Kraus, Richard Curt. Brushes with power: modern politics and the Chinese art of calligraphy. Berkeley ; Oxford: University of California Press, 1991.
Kwo, Da-Wei (1919-). Chinese brushwork in calligraphy and painting: its history,aesthetics, and techniques. New York : Dover, 1990.
Lai, T. C. Treasures of a Chinese studio (ink, brush, inkstone, paper) . Kowloon, Hong Kong :Swindon Book Company, (1976).
Lauer, Uta. A master of his own: the calligraphy of the Chan Abbot Zhongfeng Mingben,1262-1323. Stuttgart:Franz Steiner Verlag, 2000.
Ledderose, Lothar. Mi Fu and the classical tradition of Chinese calligraphy.Princeton : Princeton University Press, 1979.
Lin, Shuen-Fu. "Chiang K'uei's treaties on poetry and calligraphy." Theories of the arts in China. Eds. Susan Bush and Christian Murck. New Jersey: Princeton UniversityPress, 1983. Pp. 293-314.
Liu, Cary Y;Ching, Dora C. Y.; Smith, Judith G. (Editors). Character & context in Chinese calligraphy. Princeton, N.J. : Art Museum, Princeton University,1999.
Long, Jean.The art of Chinese calligraphy. Poole :Blandford Press, 1987.
Modern Chinese art: the Khoan and Michael Sullivan Collection. Oxford: Ashmolean Museum, 2001.
Moss, Paul.Scrolling images: Chinese painting and calligraphy in hand scroll format. London: Moss, 1991.
Murck, Alfreda; Fong, Wen C. Words and images: Chinese poetry, calligraphy, and painting. New York : Metropolitan Museum of Art; Princeton: Princeton University Press, 1991.
Oertling, Sewall Jerome. Painting and calligraphy in the Wu-tsa-tsu: conservative aesthetics in seventeenth-century China. Ann Arbor : Center for Chinese Studies, University of Michigan,1997.
Proser, Adriana G. Moral characters: calligraphy and bureaucracy in Han China. Ann Arbor: University Microfilms International, 1996.
Sturman, Peter Charles. Mi Fu: style and the art of calligraphy in northern Song China. New Haven : Yale University Press, 1997.
Sullivan, Michael (1916-). The three perfections: Chinese painting, poetry, andcalligraphy. New York: George Braziller, 1999.
Treasuresthrough six generations : Chinese painting and calligraphy from the Wengcollection. San Marino, Calif. : Huntington Library, 2009.
Tseng, Yu-ho.A history of Chinese calligraphy. Hong Kong: Chinese Univeristy Press, 1993.
Tseng, Yu-ho.Chinese calligraphy. Boston : Philadelphia Museum of Art, 1971.
Weng, Wango H. C. Chinese painting and calligraphy : a pictorial survey : 69 fine examples from the John M. Crawford, Jr., Collection. New York : Dover Publications, 1978.
Wilson, MarcF. Friends of Wen Cheng-ming : a view from the Crawford Collection. New York : China House Gallery, China Institute in America,1974.
Wolff, Diane.Chinese writing : an introduction. New York : Holt, Rinehart & Winston,1975.
Wong, Kwan S.In the way of the Master : Chinese and Japanese painting andcalligraphy. Houston : Museum of Fine Arts,1981.
Yao, Min-Chih. Theinfluence of Chinese and Japanese calligraphy on Mark Tobey (1890-1976) . San Francisco : Chinese Materials Center,1983.
Yen, Yuehping (1969-). Calligraphy and power in contemporary Chinese society. London : Routledge/Curzon,2005.
Zhang, Yiguo.Brushed voices : calligraphy in contemporary China. New York : Miriam & Ira D. Wallach Art Gallery,1998.
Zheng, Xie (1693-1765) . Hong Kong : Joint Publishing Co., 1987. |
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